The Spock Search Recollection

Thirty years and a few weeks ago, I saw the most important movie of my life. You see, I’ve been a huge Star Trek fan pretty much since birth. But during my early-1980s childhood, the world was much different. There were no Internet streaming services or Blu-Ray players to allow you to watch the show whenever you wanted in glorious high definition. And although selected episodes were available on VHS as early as 1980, my family didn’t have access to a VCR. Heck, I didn’t even know what a VCR was until 1985 or so. All we had, in fact, was a 15-inch black-and-white TV set with a pair of rabbit-ear antennae perched atop it. When we watched the show weeknights at 6PM on WAWS Channel 30 out of Jacksonville, Florida, it looked something like this:

And let me remind you that until 1987, there was only one show called “Star Trek”. There was only one Captain and crew of a single USS Enterprise. During my early childhood, of course, I had no idea how long ago the show had been on the air, how many episodes there were, or even the fact that there were movies. My only inkling that additional Star Trek stories existed beyond the confines of television were occasional glimpses of odd-looking early novels in the Waldenbooks at our local mall:

^{This book was a crossover with the early-1960s comedy-Western series Here Come The Brides. I am not making this up.}

So you can imagine how surprised and excited I was 30 years ago, in early June 1984, when my parents said that we were going to the mall see a Star Trek movie (in those days, movie theaters were commonly located in malls). While we were waiting to get in, I gazed up in wonder at the first movie poster I can clearly remember:

Now, since I’d had no idea that Star Trek movies even existed before that day, I had some questions. Why were they searching for Spock? How did he get lost? I recognized the Enterprise in the upper-left corner of the poster, and I imagined that the unfamiliar-looking spaceship at the lower-right was a shuttlecraft the crew was using to look for Spock. I was going into this movie totally blind, with no idea what to expect. Once it started, I didn’t know what the heck was going on. Spock was dead? Kirk had a son? And who was this Saavik person? Probably 90% of the plot sailed right over my 6-year-old-head.

And it was the most awesome filmgoing experience of my life. I mean it; Star Trek III: The Search For Spock completely blew me away.

A large part of that was the visuals. Remember, the vast majority of my Star Trek viewing experience had been on a little black-and-white TV. It was a huge treat just to see the show in color when I visited my grandparents. I was used to the Enterprise looking like this:

And now it looked like this:

I was used to a starship bridge that looked like this:

But now it looked like this:

Even the Excelsior bridge set—which by today’s standards looks like something a low-budget fan film would be embarrassed to have—was just about the most hi-tech looking thing I’d ever seen.

^{For some reason, Starfleet’s newest flagship was controlled from inside a 23rd-century Radio Shack}

On the TV show, the rare glimpse of a space station looked like this:

But Star Trek III showed me a space station that looked like this:

I was used to Klingons that looked like this:

But now they looked like this:

Even though I only saw the movie a couple times, Star Trek III’s late 70s/early 80s futurist aesthetic was burned onto my brain. The huge impression it made on me was only reinforced when I visited EPCOT Center for the first time a few months later. As I’ve written before, EPCOT’s Future World shared that same late 70s/early 80s futurist aesthetic, and to see it fully realized in three dimensions was an amazing experience and was a huge reason why I became so obsessed with the place. It’s not too much of a stretch to say that The Search For Spock is the reason this blog exists. That may or may not be a good thing, depending on how you look at it.

But it wasn’t only the visuals. The Search For Spock was the biggest, most unique Star Trek story I’d ever seen. The TV episodes followed a predictable pattern: Kirk, Spock, and McCoy would beam down to a planet, the natives would capture them and take away their phasers and communicators, and eventually they’d escape captivity and get their stuff back, while solving whatever societal ill affected the planet. Kirk would give the aliens a speech about freedom, then the landing party would beam up and the Enterprise would fly off into the end credits.

But movie started in the middle of a story already in progress. Some bad stuff had gone down, and Spock was dead. In order to set things right, Kirk and the remaining crew zoomed from Earth to the Genesis Planet, and then to Vulcan. Compared to the television episodes I was used to, The Search For Spock was a sprawling epic! It really expanded my idea of what Star Trek could be. It also turned me on to the existence of the film series. After all, if there was a Star Trek III, then there must’ve been a Star Trek II and a Star Trek I, right? Unfortunately, I didn’t get to see those earlier films until many years later (my parents maintained that The Wrath of Khan was too violent for children and that The Motion Picture was too boring) but the movie left me eagerly anticipating Star Trek IV, and I was not disappointed when The Voyage Home premiered two years later.

I didn’t become aware of the “odd-numbered curse” (the idea that all the even-numbered films are all good and the odd-numbered ones are all bad) until I got onto the Internet in the mid-‘90s. And even though it’s obvious today that Star Trek III was a medium-budget film trying to pass as a blockbuster, it remains one of my favorites. It’s not as groundbreaking as The Wrath of Khan or a rollicking caper like The Voyage Home, but its heart and the way it remains true to the characters will always make it one of my favorite Star Trek stories of all time.

By the way, you should really check out Vonda McIntyre’s novelization. (Available used on Amazon or electronically in the iBooks store) It fleshes out characters like Captain Esteban of the Grissom that came across as rather cartoonish and one-dimensional onscreen and has a touching subplot for Carol Marcus, who was completely absent from this and all future films.